Screenshot of Double Elvis, Le Marin, and Femme au chat assise dans un fauteuil on the Sierra Fine Art LLC website.
Many of the works listed on the site have popped up at auction in recent years, including Henri Matisse’s Botero Violet (1937), which sold at Sotheby’s in 2014 for $14.9 million, and Andy Warhol’s Superman (1981), sold at Sotheby’s in 2015 for $14.4 million.
Several other high-profile listed works by Picasso and Warhol were due to be sold at Christie’s this week as part of the kickoff of his new art venture. (Kosnitzky told artnet News that the works had been consigned by Sierra Fine Art rather than by the collector himself.) All told, the canvases were expected to bring in more than $130 million.
It is unclear exactly how selling high-priced artwork anonymously at auction would establish Wynn’s new course as an art dealer. Although artnet News first reported Wynn’s consignments in April, Christie’s has not identified Wynn or Sierra Fine Art LLC as the seller of the works. Kosnitzky said the Christie’s sale represented the “start of the process” but declined to elaborate.
Wynn’s plan for his new business’s maiden voyage hit a snag, however, when the most valuable of the three works—Le Marin (1943), a self-portrait by Picasso—was damaged at Christie’s Rockefeller Center headquarters ahead of the planned sale on May 15.
According to Bloomberg, which first reported the news of Wynn’s new venture, a paint roller attached to an extension pole fell and punctured the canvas. The painting was withdrawn two days before it was scheduled to be sold. (In a statement, the auction house said the damage occurred “during the final stages of preparation” and that it has already consulted two conservators about its repair.)
Soon after, another Picasso owned by Wynn, Femme au chat assise dans un fauteuil (1964), also listed on the Sierra Fine Art website, was withdrawn because it was covered by the same third-party guarantee, according to Bloomberg. Kosnitzky said he hopes the dispute will be “resolved amicably” but that the auction house and collector are currently at odds over the value of the painting and the cost of the damage.